Abstract: The Romance of the Three Kingdoms can even be seen as a political and military history hidden in the night. Not only did Luo Guanzhong increase the dramatic effect of political and military intrigue through the “night time” of war and conjecture, but he also focused the scenes and characters with light sources such as candles and torches, strengthen the visual impact of narrative scenes or characters, and consciously with the help of the stars, moon foil atmosphere, give the novel full of poetic narrative mood. In addition, in the novel, consciously or with the help of such natural “chill” things as autumn nights and the cold moon, or through the “astrology” and “night dream” and other doomed tragic color of the novel narrative, or linked to the novel text and literary and cultural tradition of inter-text relationship, by introducing the novel text into the remote historical context, the author endows the novel text with desolate historical charm and profound cultural connotation.